Grains of Sand like Mountains,
a group exhibition curated by Curatorial Studies, showing To settle, to unsettle and hosting a collective reading in Kunsthal Gent, 2024
(they/them) is a graphic designer, artist, writer and editor currently based in Ghent, Belgium.
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Are.na
(they/them) is a graphic designer, artist, writer and editor currently based in Ghent, Belgium.
Instagram,
e-mail,
Are.na
Grains of Sand like Mountains,
a group exhibition curated by Curatorial Studies, showing To settle, to unsettle and hosting a collective reading in Kunsthal Gent, 2024Ten attempts to translate Desnortear-se,
a series of essays on disorientation, with and to Barbi García, Sjoerd Beijers, Abel Hartooni and Giulia Maria Reis, 2024To confuse, to disorient,
a collective reading and exhibition with Abel Hartooni and Fae Felis as part of Jumping Fences, in Het Paviljoen, Ghent, 2024To twirl,
a series of attempts with Marthe Huyse as part of Jumping Fences, in Het Paviljoen, Ghent, 2024To fragment, to shatter,
a collective reading and movie screening with Barbi García and Cinema Spreekhond as part of Jumping Fences, in Het Paviljoen, Ghent, 2024Blossoming and Withering,
a masterclass on failure organised with Joram De Cocker to the artists-in-residence of Projectvierennegentig, Ostend, 2024Jumping Fences,
a group exhibition in Vleeshal with Paola Siri Renard, Jan Vandeplancke, Céleste Buyle, Quinten Vermeulen, Lore Janssens, Haron Barashed, Yawen Fu and Sjoerd Beijers, presenting essays and textile works made in collaboration with Barbi García, Abel Hartooni and Marthe Huyse, Middelburg, 2024Fruit for Thought,
a collective reading on failure, in conversation with Nina Paim at Bikini Books, Porto, 2024To confuse, to disorient, a conjoint letter to clouds,
a collective essay with Abel Hartooni, Porto-Ghent, 2024To fragment, to shatter,
a collective essay with Barbi García in Porto, 2024La Marcia al Mare,
a bilingual introduction text and curatorial guidance for Eugenio Bengalli’s solo exhibition in Vila Nova de Gaia, nearby Porto, 2024Meeting Grounds,
a continuation of a visual language with Sjoerd Beijers for a gathering organized by Paul Bailey in Camden Art Centre, London, 2024Withering Blossoms & Blossoming Withers,
a workshop and collective reading with Joram De Cocker in EKA GD’S Stand-in School for Graphic Design in Berlin, 2024To confluence,
a series of poems sent by mail for When is a Good Time?, an exhibition organized by Lara Finkenstädt and Helena Hoffman in Basis Projektraum, Frankfurt, 2024The Salt in the Merchant’s Letter…,
exhibition poster with and for Abel Hartooni, Ghent, 2024Twaalf Maal,
a yearly calendar project initiated by Laura Beulens later joined by Emma Raymaekers, David Adeyemo and I, Brussels-Ghent, 2023To Un-fold,
MAP#149, joint exhibition with Marthe Huyse in Glazen Gang, Ghent, 2023Meeting Grounds,
caretaker during lectures hosted by Paul Bailey with Metahaven, Dayna Casey and Katja Mater in Kunsthal Gent; caretaker for KASK GD workshops hosted by Paul Bailey together with Abel Hartooni, Sjoerd Beijers and Anouck Voisin; visual language with Sjoerd Beijers and Anouck Voisin, 2023Blossoming,
a visual poem made during a masterclass by Juan Pablo Plazas and Hans Demeulenaere at Projectvierennegentig, Ostend, 2023A Picnic,
a collective reading on work and leisure in collaboration with Cinema Spreekhond, curated by Arno Huygens at De Verffabriek, Ghent, 2023A Moving Bookshop
with Marthe Huyse for KASK Graduation, with help from Eva Cosyns and Thibeau Kindt, Ghent, 2023A Quilt,
with Karel Op ’t Eynde for A Horse With An Attitude, Leuven, 2023A collective reading
on margins, marginalization and marginalia, Ghent, 2023A Reader,
an 82 meter long leporello unfolding stories on queering and decolonizing visual languages encountered in João Pessoa, 2022-2023WTF…!,
a festival campaign in collaboration with Kopano Maroga, for VierNulVier, Ghent, 2022July 2023,
a contribution to Laura Beulens’ calendar project, 2022Kiki Kiosk
lettering and visuals with Bebe Books, a queer gathering space at Konvooi Festival in Bruges, 2022Felines,
three zines about alpha male-motivation reels wrapped in folded posters, 2022A Dolphin, Waves Crashing and Flowers,
a screenprinted reconfiguration of ‘Alone and Drinking Under the Moon’ by Li Po, 2022Two in One,
In situ bookmaking performances with Marthe Huyse in Komplot Brussels during Salon Salon Salon, and in Kunsthal Gent during Ghent Art Book Fair, invited by — respectively — Arno Huygens and Lore Janssens, 2022Rome Rome Rome Rom and Dubrovnik Dubrovnik,
both part of an archival research project and a poem, 2021Codex Meets Cybersex,
visual identity for a series of lectures-workshops, in conversation with Nana Esi, Sophie Keij and Bart De Baets, 2020